Writing in Practice - Vol. 8

1: GUEST ARTICLE Queerness as Translation
by Mary Jean Chan

2: The Art of Betrayal: Coming-of-Age Through Transnational Writing
by Elen Caldecott

3: Retaining the nuances of a minority language when writing in English
A Creative-critical Approach to How the Nuances of the Maltese Language Can be Retained by Amber Duivenvoorden

4: Decolonising Enid Blyton
Writing a post-colonial Enid Blyton mystery novel by Paul Williams

5: Born on 4th July - Prelude, Preamble, Precursor, Premonition
by Jo Somerset

6: Creative Non-fiction and ABSTRACT Photography
An Insightful Partnership by Alex Bertram

7: There is no me without you
The implications of self as mutable and multiple for the writer by Joanna Nadin

8: The Herepath Project
Deep mapping and hedge-springing during lockdown by Kevan Manwaring

9: Being Kind to Myself
Developing a Compassionate Writing Practice by Helen Foster

x10: Walking and Writing, Running and Redrafting
Towards a template for the physically-active creative by Liam Bell & Gemma Ryde

x11: The WRITE Model
An Interdisciplinary Tool for Research and Practice in Creative Writing and Wellbeing by Megan C. Hayes

x12: Writing about and through objects in contemporary short fiction
by Maria A. Ioannou

x13: Brautigan’s Sombrero Fallout
A Cathartic Case for Absurdism in Pedagogical Learning by Simon Read